I was kind of glad to hear that the Public Radio International program produced by Chicago’s very own WBEZ— Ira Glass’s “This American Life”— was being adapted to television.
I was a little annoyed, because I always said that I wanted to make a TV version of “This American Life” (I’d call it something else, obviously). But you snooze, you lose. And who better to adapt the concept than Ira Glass himself?
Then, I found out that the program will not be airing on a PBS station, like I probably would have preferred. “This American Life: The TV Show” will be on Showtime. Certainly not ideal for me, since I will never pay for premium cable since it isn’t a very good value, but no matter. I am sure it will come out on DVD eventually, and then I can Netflix it.
But finally…
I was clicking around the Internet, and I found a link back to the Chicago Reader, a paper I no longer read very much since I moved away.
This link took me to a February 3rd column by Reader media critic Michael Miner. In short, the article informed me that during the production of the initial six-episode run of TV episodes, the entire “This American Life” operation, radio and all, will be relocating to New York City.
Why, you might ask?
Miner writes:
Showtime and Killer Films, which will shoot the TV show, are both in New York. “When we were doing the pilot,” Glass told me, “I insisted for a while that everyone come here [Chicago], the editors especially. It turned out to be very expensive, and we wouldn’t be able to get some of the people we wanted.” That spiked any idea he had of fighting for Chicago.
Um, Ira?
There are production companies in Chicago.
There are editors in Chicago.
I was in Chicago for a while, looking for work. At Chicago-based production companies that were downsizing.
Once upon a time, I wanted to be a Chicago-based editor working on something like “This American Life.”
If a Chicago-based institution cannot even hire locally, how can Chicago-based production ever catch on?
Worry not, Chicago radio boosters, for as soon as the initial TV episodes are finished, the radio show will move back to the fourth floor of WBEZ in Chicago.
And somewhere, a future TV producer, director, or editor, living in a nameless Chicago suburb, is beginning to face the reality that he too will have to leave his or her hometown someday.
Northern California is nice this time of year. I am glad I came here.